BTBA

Bachelor in Traditional Buddhist Art

Course ID
BTBA
Campus
Aksheswar Traditional Buddhist Art College
Level
Undergraduate
Semester
Spring
Credit
120
Method
Lecture

Buddhist art in Nepal reflects Buddha’s teachings and influences everyday life, encompassing various forms like metal, stone, wood, and painting. It’s an integral part of life for Buddhists, especially Vajrayana practitioners in Nepal. This traditional art has historical significance and was in demand in neighboring regions. Students learn its techniques, focusing on theory, history, and the potential for entrepreneurship in the changing global economy.

OBJECTIVES OF THE PROGRAM

  • This course will give students Buddhist art historical information so that they can apply their practical skills in replicating these arts for the reconstruction, renovation, preservation, and remaking of the heritage that needs repair.
  • This course will give them a sound background in traditional Buddhist art, and their practical implication so they will be able to produce fine Buddhist art themselves.
  • This course will give students a basic knowledge of Buddhism and its philosophy including the traditional process of making sacred images so as to enable them to present and make genuine Buddhist art.
  • This course will give them ideas about entrepreneurship so they can promote their art works in the international and national markets.
  • The aim of this course is to make students able artists with entrepreneurial skills.

Course Overview

The BTBA program offers 120 credits in accordance with the qualification framework for a Bachelor. Each semester carries 15 credits. As the main objective of this course is to create a good artist and it contains ample practical art classes. These practical classes include 60 credits which is more than half of the whole course. The remaining course consists of Basic Buddhist Philosophy and History. This course contains Buddhist art history, Buddhist iconometry, and iconography. The course contains basic Nepali and English including the topics in entrepreneurship.

Practical learning of Buddhist art with Knowledge of Buddhism

The course objectives will be to formulate the learning practical knowledge of traditional Buddhist art of Nepal Mandala. 60 percent of the course consists of practical work that make students involved in practical aspects of making Buddhist art.

Admission Criteria

Students with Plus 2 or equivalent degrees from recognized educational institutes are eligible for this academic session.

APPLICATION PROCEDURE

If you’re driven by a passion for justice and a desire to make a difference, our Bachelor in Travel and Tourism (BTTM) program at LBU is your path to a transformative education.

Application form along with prospectus can be obtained from the office of LBU on payment of Rs.500/- via esewa. Application cum Prospectus may also be downloaded from the university website (www.lbu.edu.np). The duly filled-in online application form and provide the required documents to the college office in person during admission.

Further information

Email: [email protected]

Contact No: 9851098870

Evaluation Scheme

This course basically focuses on the practical aspect of Buddhist art, so there is an evaluation of the work under the supervision of the respective teacher throughout the semester. There is 50-50 percent internal assessment as well as an external examination which includes both theoretical as well as practical examination.

In-semester assessment:        50%

End-semester examination:   50%

Theory

In-semester assessment:

S.N.

Topic

Mark

Remark

1.

Attendance

5

 

2.

Pre Test

10

 

3.

Mid-term Exam

15

 

4.

Term Paper/Oral Presentation

10

 

5. 

Seminar paper/Assessment

10

 
 
Practical

Internal Exam

The evaluation of the student’s work should be done stage by stage every month under the supervision of the respective teacher throughout the semester on the basis of their practical performance in class. The evaluation shall be done under the following topics.

S.N.

Topic

Mark

Remark

1.

Critical Analysis

10

 

2.

Assignment

20

 

3.

Presentation

10

 

4.

Attendance

5

 

5. 

Activities

5

 

Note: Every Internal examination has its specific evaluation criteria.

External exam

This practical-based course will have both external and internal exams of 50 / 50 marks. In the external exam, the students have to describe the process of their drawing verbally to the external examiner equivalent to 10 marks and they also have to attend the practical exam as scheduled by the college equivalent to 40 marks. 

Note: Every External examination has its own specific Grid and evaluation criteria. The methodology of each examination is different in different semesters and courses.

First Semester

Semester

Course Code

Course

Theory/Practical

1st Semester

BTBA311

English (Compulsory)

Theory

BTBA312

Nepali (Compulsory)

Theory

BTBA313

Early Buddhist History

Theory

BTBA314

Introduction of Basic Traditional art, its fundamental and rules

Practical

BTBA315

Fundamentals of art and its rules

Practical

Second Semester

2nd Semester

BTBA321

English (Compulsory)

Theory

BTBA322

Buddhist Principles and Concepts

Theory

BTBA323

Implication of Traditional Art Designs and Patterns

Practical

BTBA324

Basic Preparation for Sculpture on clay (Sculpture)

Or

Various elements, mythical creatures, ritual objects Part I (Paubha)

Practical

BTBA325

Leaf design, Ritual objects and facial parts of human on clay (Sculpture)

Or

Various elements, mythical creatures, ritual objects Part II (Paubha)

Practical

Third Semester

3rd Semester

BTBA331

History of Buddhist Art

Theory

BTBA332

Traditional Ornaments

Practical

BTBA333

History of Ancient Art

Theory

BTBA334

Traditional Ornaments on wax (Sculpture)

Or

Study of post seventeenth century Paubha Painting style Part I (Paubha)

Practical

BTBA335

Detailed sketch of Facial Parts of human

Practical

Fourth Semester

4th Semester

 

BTBA341

Development of Buddhist Art

Theory

BTBA342

Mandala (Part I)

Practical

BTBA343

Portrait Sketch

Practical

BTBA344

Basic knowledge of Buddhist Iconography

Theory

BTBA345

Clay or wax modeling of various elements of Mandala (Sculpture)

Or

Study of post seventeenth century Paubha painting style Part II (Painting)

Practical

Fifth Semester

5th Semester

BTBA351

Buddhist Art and Architecture in Licchavi period of Nepal Mandala

Theory

BTBA352

Mandala (Part II)

Practical

BTBA353

Wax modeling of hand gestures and ashana of the deity

Or

Study of Pre-seventeenth century styled Paubha Painting Part I (Paubha)

Practical

BTBA354

Drawing of Buddhist Deities’ Faces

Practical

BTBA355

Entrepreneurship Fundamentals

Theory

Sixth Semester

6th Semester

BTBA361

Buddhist Art in Malla Period

Theory

BTBA362

Drawing the full body of peaceful Buddhist Deities

Practical

BTBA363

Clay or wax modeling of bust of human and peaceful Buddhist deity (Sculpture)

Or

Study of pre-seventeenth century styled Paubha painting  Part II (Paubha)

 

Practical

BTBA364

Clay or wax modeling of head of wrathful  Buddhist deity (Sculpture)

Or

Individual innovation of the basis of post seventeenth century styled Paubha Part I (Painting)

Practical

BTBA365

Entrepreneurial Ecosystem

Theory

Seventh Semester

7th Semester

BTBA371

Sadhana Bidhi for making Sacred Images

Theory

BTBA372

Drawing the full body of peaceful and wrathful Buddhist Deities Part II

Practical

BTBA373

Full body of peaceful Buddhist Deity (Sculpture)

Or

Individual innovation on the basis of post-seventeenth century styled Paubha Part II (Painting)

Practical

BTBA374

Iconography of Buddhist Deities (II)

Theory

BTBA375

Entrepreneurship – The Practical Approach

Theory

Eighth Semester

8th Semester

BTBA381

Internship with Senior Artist

Practical

 

BTBA382

Iconometry of Buddhist Deities (III)                  

Practical

BTBA383

Full body of a wrathful Buddhist Deity (Sculpture)

 Or

Individual innovation on the basis of pre-seventeenth century styled Paubha Part I (Painting)

Practical

BTBA384

Individual innovation on wax

Or

Individual innovation on the basis of pre-seventeenth century styled Paubha (Painting)

Practical

BTBA385

Business Plan for Entrepreneurs

Theory

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